Here is a series of short plays written by the author of The Stolen Concept. Some of the short stories
were written based on these plays.
* * Click on a Story or Scroll down * *
1.) I'M, DEAD
ACT I
Scene 1
SETTING: MARVIN’S apartment. It is neat and clean except for two glasses a half empty wine bottle and a blouse, brazier, and shoes.
AT RISE: MARVIN is wearing lounging pajamas. He is pacing the floor. Ottmar Liebert’s, “Bed of Nails”, from Liebert’s, Opium Album, is playing. The door bell rings and he rushes to answer the door. GEORGE enters, barefoot, wearing pants and a tee-shirt.
MARVIN
Thanks for coming right over George.
GEORGE
Marvin, you said it was an emergency. You paint a different picture.
MARVIN
I have to be wearing a hospital gown and listening to the theme from E R, for it to be an emergency? Ottmar Liebert, helps to calm me. That’s his OPIUM album.
GEORGE
Sorry Marvin. . . . Marvin, you’re not involved with drug dealers, are you?
(GEORGE shuts off the music.)
MARVIN
What are you talking about? We grew up together, for Pete’s sake. You were my best man when Marie and I got married. Have I ever known a criminal?
GEORGE
You're a lawyer. You called a clothing manufacturer? You must be in the worst situation of your life.
MARVIN
Can’t I have an emergency without you thinking the worse of everything?
GEORGE
What’s worse than emergency?
MARVIN
What’s in the bedroom is worse.
GEORGE
What is, in the bedroom, Marvin? Who is she? Did she O. D.?
MARVIN
There you go again! Why drugs? Why does she have to be dead? I’m sorry I called you, George.
GEORGE
You’re sorry! I’m shaking, and I don’t even know what is going on! How did she die?
MARVIN
She’s dead?! Are you sure?!
GEORGE
I didn’t say she was dead! You said, “Why does she have to be dead!”
MARVIN
I asked, why does she have to be dead? You are the one that said she was dead.
GEORGE
Is there a dead person in your bedroom?!
MARVIN
I don’t think she’s breathing.
GEORGE
Okay, it’s a she.
MARVIN
Of course it’s a she!
MARVIN
What in God’s name did you do to her, Marvin?
MARVIN
I didn’t do anything to her! Not the way you mean, at least. I’m innocent, dammit!
GEORGE
Is she tied up?
MARVIN
No dammit! Of course she isn’t tied up! What’s the matter with you? I won’t even let my wife, Marie, use the handcuffs! I’m not comfortable with that kind of stuff.
GEORGE
Marie? She really likes that kind of thing, Huh?
MARVIN
What?
GEORGE
You know, the handcuff thing. . .
MARVIN
For the God Almighty’s sake, George! I have a real crises here!
GEORGE
Sorry, I mean, you’re the one who brought it up. All right, let’s just forget about that for now.
MARVIN
Yes, lets forget about that!
GEORGE
What happened in there, Marvin? Suicide? She committed suicide didn’t she?
MARVIN
Suicide?! Oh my God! Are you sure? How can you know?
GEORGE
I don’t know! I’m asking! What happened, Marvin?!
MARVIN
I don’t know! She just collapsed! Go look for yourself!
GEORGE
I don’t want to look. How old is she? Could it have been a heart attack?
MARVIN
How old? What kind of crack is that? I’m not dating your mother!
GEORGE
What kind of crack is that? You call me over to help you, and you defile my mother!
MARVIN
I’m sorry, forgive me about your mother. Can’t you just go in there and see.
GEORGE
What am I going to see Marvin? I don’t want to do this. Why didn’t you call your brother Benny?
MARVIN
If I called Benny, Mom would find out.
GEORGE
A dead, naked, girl is in your bedroom, and your big worry is your mother finding out?
MARVIN
George, . . . why does anyone have to find out? Do you see what I’m saying?
GEORGE
You’re saying, George, come on over. Oh, by the way, bring a rug, one big enough to wrap a body in. I’m going, goodbye. Do you see what I’m saying?
MARVIN
You’re saying that you're backing out?
GEORGE
Technically, I was never in, so technically I’m not backing out. No, you can’t borrow my rug.
MARVIN
Your rug? If people see two guys carrying a rug they’ll think there’s a body in it.
GEORGE
That’s ridiculous. Why would anybody assume there is a body in a rug?
MARVIN
Whose idea was it to wrap the body in a rug?
GEORGE
What’s your idea, a trunk?
MARVIN
A trunk is as stereotypical as a rug. My idea is a stroke of genius. Bring over one of your industrial garment racks, from your shop.
GEORGE
What, you’re going to hang her up like a suit?
MARVIN
Yes! Bring a bunch of last year's stock and a garment bag.
GEORGE
You are going to hang this poor lovely creature in a garment bag? You’re demented! How long have you been planning this?
MARVIN
What planning? It came to me while I was waiting for you to arrive.
GEORGE
I’m next door. You came up with this scheme in less than two minutes?
MARVIN
You have clothes racks, you have a clothing factory, you have a clothing van. It didn’t take a genius. It took two seconds.
GEORGE
My van? What does my van have to do with it?
MARVIN
We can’t set the rack out front and have a clothing sale, for crying out loud!
GEORGE
Yes, your right. Sure, I could move some of last years' leftovers, but what if somebody bought the garment bag?
MARVIN
Very funny. We’ll put Miss garment bag in your van and ____
GEORGE
Hold on! Miss garment bag? You’re talking about tossing away a human being!
MARVIN
George, look at me! I can’t just toss away twenty years of marriage!
GEORGE
Tossing your married cookies around wasn’t a problem! What happened in there?
MARVIN
The problem was her orgasm. She was making a low moaning noise that got louder and louder, and developed into a large scream. All of a sudden she collapsed! I looked up and she wasn’t moving. I screamed at her, and shook her. She jiggled, but she didn’t move. I couldn’t believe it! I didn’t know what to do. Then I called you.
GEORGE
It’s too unbelievable to be a lie.
MARVIN
Why would I lie about something like this?! Just go in there, for God’s sake!
GEORGE
Now I get it! Tell a lie. Make it big, and he will believe! The wife is out of town, and Marvin and the boys are going to have a little fun! At George’s expense!
MARVIN
A little fun. What are you talking about?
GEORGE
I’m talking about, you got me ready to crap my pants, and I go in there and Benny, Otto, and Vernon, finish the job! You all have a big laugh at my expense!
MARVIN
Am I laughing? Look at me. You know me.
GEORGE
That’s right, I know you. It was the orgasm thing that blew it for you. You got some gal so hot that she blew a fuse? Marie has testified, differently.
MARVIN
Since you know me so well, why don’t you stroll in there and call my bluff?
GEORGE
You aren’t bluffing, are you? Who is she?
MARVIN Who she is isn’t important.
GEORGE
You tell me that you diddled a girl to death, but who she isn’t important?
MARVIN
I didn’t! I mean we didn’t get to the diddling part.
GEORGE
What, now your bragging?
MARVIN
What do you mean, bragging? I’m being honest!
GEORGE
Being honest would involve telling me things like, who she is.
MARVIN
I just figured, the less you know the less involvement you have.
GEORGE
You don’t want to involve me? You call me over here at two in the morning and ask me to help you carry a dead girl’s body out in one of my garment bags, on one of my garment racks, to carry her off in my van, but you didn’t want to involve me too much?
MARVIN
What more involvement do you want, George?
GEORGE
I want you to tell me who she is!
MARVIN
She is my secretary’s niece! Now are you happy!
GEORGE
Her niece! You have an under aged girl in there?
MARVIN
No! She’s twenty-three.
GEORGE
Wow! Why would a twenty-three year old girl want to be with you?
MARVIN
What, you're trying to insult me now?
GEORGE
I’m trying to find out what happened here?
MARVIN
I told you what happened. What is this problem you're having?
GEORGE
The problem is, I don’t think I could dump this poor girl’s body in an alley.
MARVIN
What do you mean, dump her in an alley? She’s my secretary’s niece for Pete’s sake!
GEORGE
Okay, where do you want to dump her?
MARVIN
How can you be so callous? Why do we have to dump her? Can’t we politely take her?
GEORGE
What are we going to do, take her home?
MARVIN
Yes, her home! You're a genius! She should be found in her own apartment.
GEORGE
Oh, great, Marvin! We’ll simply stroll into her apartment building with a garment rack at two in the morning!
MARVIN
No, but definitely in the morning, about ninish. When do you think they will find her?
GEORGE
How would I know? How should she be found?
MARVIN
She should be found alive. I don’t want this to be happening!
GEORGE
Get a hold of yourself! I mean should she be in bed, sitting in front of the TV, what?
MARVIN
If I had gotten a hold of myself, like most husbands do when there wives’ are out of town, this wouldn’t have happened!
GEORGE
It doesn’t work that well. Take the word of a bachelor. Look, what happened, happened. Do you think she should be dressed?
MARVIN
Why would she be in bed dressed up?
GEORGE
Okay, we are going to put her in her bed.
MARVIN
Of course, in bed, it fits the time of death.
GEORGE
Now you're an expert on these things?
MARVIN
I’m a lawyer. I see these things all the time.
GEORGE
You're a divorce lawyer. You see them before it gets to this stage in the relationship.
MARVIN
I’m a divorce lawyer that sees a lot of police drama on TV, okay? You’ll have to put her underwear on her.
GEORGE
No. You have to put her underwear on her. I didn’t even know her.
MARVIN
I wouldn’t be able to touch her. Not after . . . She was a very friendly girl. She wouldn’t mind.
GEORGE
Maybe she sleeps in the nude.
MARVIN
No, I doubt it, not in the nude.
GEORGE
What, she’s very friendly, but too modest to sleep in the nude?
MARVIN
No, she has a roommate. So she must be used to wearing bed clothes.
GEORGE
She has a roommate! No one knows she is seeing you, no one knows she is here, but she has a roommate!
MARVIN
Her roommate doesn’t no about this, she told me so, last night.
GEORGE
And for how long has her roommate not known about your affair?
MARVIN
I’m not having an affair! This was the first time. Nobody knows, except you.
GEORGE
You don’t think her roommate will get a little suspicious?
MARVIN
Oh, I didn’t think about her roommate finding the body. That poor girl.
GEORGE
That poor girl, I suppose is going to welcome us into the apartment. Hi, fellows, just put her body over there, in the corner. I’ll take care of it later! Aren’t they last years' clothes on that rack? You poor man! They didn’t sell, did they!
MARVIN
George, George! Take it easy. She won’t be there. That’s what made it so perfect. Marie was out of town, and so was the roommate.
GEORGE
Between you involving me in this mess, and last years' losses, I’m having a hard time keeping it together.
MARVIN
Last year wasn’t so bad. You sold a lot of stock. Marie, bought three of your outfits.
GEORGE
Yes, and your secretary bought the other two. I appreciate your not holding the loan over my head. You're a good man.
MARVIN
Not that good. I was saving that for last.
GEORGE
I’ll . . . I’ll get her dressed.
MARVIN
Just her undee’s.
GEORGE
Don’t talk about that! This is hard enough.
(GEORGE goes into bedroom.
MARVIN paces up and down..)
MARVIN
How could I have been so stupid! Never again will I defile my marriage. You’re a low life cad, Marvin! Never again will I lust for a young, beautiful, erotic____! If I ever do so much as think about another woman, may God strike me dead, right where I stand! My Marie, my poor, faithful Marie. What have I done to her? What have I done to our relationship. Over twenty years! That little vixen. She taunted and teased. She made me do it. Parading her lustful body in front of me, smiling . . . You could always see her nipples, even when she wore a sweater. . . Never again Marvin Litzmire! Never again!
(GEORGE bursts into the room.)
GEORGE
Marvin! She said sometimes It’s like that!
MARVIN
Who said what is like that?
GEORGE
Sometimes there is more pleasure than she can physically and emotionally handle, so her body shuts down! Kind of a catatonic state! Marvin, you dog! You got her there! Hell, she wants to move in!
(GEORGE, exiting.)
You, dog!
MARVIN
Oh? Oh! Oh my! Oh my, Yes! Yes!
MARVIN
I didn’t kill her! She’s alive! And I’m more than alive!
(Dancing around, grabbing the wine
bottle and glasses, and heading for the
bedroom.)
I’ve got the wine, the time, and your all mine! Hey there is a Lawyers convention in Houston three weeks from now. The hotel features a king size bed and all the champagne you can drink! What do you say!
(MARIE enters hauling her baggage.
Dialogue starts while entering.)
MARIE
You have no idea how good it is to be home. I caught the earliest flight available. What are you doing up at two in the morning, Marvin? (Beat.) Marvin? What is going on here?
(The intro. To “Bed of Nails” Starts
and lights fade.)
THE END
2.) GAMBIT
________
A Play in One Act
by
Robert G. DeMers
Cast of Characters
Gwen: Paul’s wife. Age 36.
Paul: Gwen’s husband. Age 38.
Scene
Gwen and Paul’s living room.
Time
Present day.
ACT I
Scene 1
SETTING: The living room is plush and elegant. It is a declaration of soft comfortable security. It is done in whites and grays. There is a snowglobe on a table or stand, stage left. There is a flower arrangement preserved under glass. There is a knights armor positioned stage right, next to the study door. The only male imprint on the decor. Up stage center there is a print of Masaccio’s “The Expulsion from Paradise.”
AT RISE: Rachmaninoff’s, “Vocalise” is playing. GWEN is playing with the snowglobe, obviously lost in another world. She is unaware of Paul’s entrance. He approaches her, placing the bouquet of roses that he is carrying, behind his back. He shuts off the music and the silence brings her into the present moment. She turns toward him and he moves to kiss her and she offers him her cheek.
PAUL
I know what a strain it has been for you, these past few years.
GWEN
Then why did you allow it to continue?
PAUL
I have been building our future. I had always hoped that you would someday understand me, and support me in my work.
GWEN
I understand that your work is your life. I know that you enjoy the risk taking. You love being challenged, and winning . . . whatever it is you win.
PAUL
Then why haven’t you supported me? I am your husband for God’ sake.
GWEN
Well for god’s sake, I’m your wife. I had always hoped that you would understand me, and support me.
PAUL
You are right. I have neglected you. From this day forward, I swear to devote myself to your happiness.
(PAUL proffers the roses, which
she accepts.)
For my lovely wife.
GWEN
Roses, and in my favorite color. How thought__ Ow! I’m bleeding! Paul, something stabbed me!
PAUL
(Relieving her of the roses and
tending her wound with his handkerchief)
I’m Sorry Gwen. I guess I should have warned you. They are quite rare you know.
GWEN
What?
PAUL
The roses, with thorns. They are a natural phenomenon of nature. Horticulturist have literally been breeding them out of existence.
GWEN
Thorns! Damn it, Paul. Weeds have thorns, not flowers. I should have known you would do something like that.
PAUL
My intentions were to delight you.
GWEN
Yes, I’m sure. If you intended to kill me, you would have gotten something with bigger thorns.
PAUL
They were supposed to be a prelude to the celebration that I have planned.
GWEN
What could you possible want to celebrate that requires a thorn bush hidden amongst flowers?
PAUL
What we are going to celebrate is my rise to the top. They, have made me the new CEO of the Corporation.
GWEN
I see. So you’re the new King Arthur of the corporate round table.
PAUL
Well, I think King Solomon would be more accurate. I___
GWEN
I hate it when you talk like that!
PAUL
How am I talking?
GWEN
Do you have to compare yourself to someone who’s claim to fame is cutting a baby in half? Is that your idea of being macho?
PAUL
What he did was force the mothers to choose! He didn’t cut anybody in half.
GWEN
And that is why you admire him, because he is as barbaric as your gift of thorns?
PAUL
I have one year to turn this company around. Solomon, was a harsh but wise ruler. King Arthur is a legion, a myth. I have do deal in the real world.
GWEN
Solomon is dead. The legend lives. Where do you see yourself fitting into this picture, Paul?
PAUL
How could this conversation have digressed like this? I come home to share my greatest accomplishment with you and I’m defending my, my life, my philosophy . . . I don’t know. Tell me. What in the hell happened here?
GWEN
Nothing new Paul. You vanquished your enemies and you brought home to your lady in waiting, the prize of your victory. The only thing still alive on the battlefield, a thorn bush.
PAUL
I worked 70 and 80 hours a week, and sometimes more, for the last fourteen years in order to achieve what I have achieved.
GWEN
Now that you mention it, since graduating from college, and going on our honeymoon, this is the first time that you have come home before dark.
PAUL
I’ve made it. I’m there. It will be different now. I can relax. We can start enjoying ourselves.
GWEN
You’re forgetting about your reward for, “getting there.”
PAUL
My reward?
GWEN
You only have a year to prove you are worthy of the great gift that the almighty “they” have bestowed upon you.
PAUL
Damn it, it isn’t like that. I was chosen because I am the only one that can do the job.
GWEN
I see. So no one else was in contention? It fell on your shoulders because no one else was left standing.
PAUL
You know damn well that Morgan Tristem, and a couple of others from outside the corporation were also viable competitors for the position. But you’re right, no one else was left standing.
GWEN
I see. How did Morgan take the news?
PAUL
He’s a player. He new I would get it. It won’t effect our friendship, if that’s what you mean.
GWEN
He knew you would get it? He was just playing at it?
PAUL
Let me put it to you this way, he said, and I quote, “Congratulations Paul, I new you would get it. Let’s celebrate this evening.” End quote.
GWEN
This conversation is becoming tedious. Let’s talk about something else.
PAUL
I love Morgan to death, but he just doesn’t play hardball, that hard, and he doesn’t sacrifice all that much.
GWEN
Your telling me he didn’t get the position because he has a conscience and a life of his own?
PAUL
(Stares at her for a moment.)
You hate me don’t you?
GWEN
No. There are certain traits you have developed over the years that I find repulsive, but I don’t hate you.
PAUL
Well, I suppose that leaves something in my favor.
GWEN
You don’t see it, do you? You don’t realize what you’ve done.
PAUL
I guess I don’t, Gwen. What is it that I’ve done?
GWEN
You said it yourself, you could be out the door in a year’s time. You went from being indispensable to teetering on the edge.
PAUL
That is not what I said. I am on the top. I run the Goddamn corporation. I determine who is teetering on the edge.
GWEN
Do you think you could sell that to Harvey Prescott, the defunct CEO of Banders Corporation, or to John F. Thursten III, who was replaced by Wilton Crombly II at Wharton Electronics?
PAUL
I have the confidence, the skill, the intelligence, and the breeding. I have always succeeded, and I will continue to be successful. It is too bad that you don’t have some of those characteristics, then you could admire them in me.
GWEN
It’s too bad you weren’t successful enough to be the president of your own business, instead of just having to be someone else’s employee.
PAUL
(PAUL burst out laughing.)
You are good! I take back what I said. You are better than half of the men that I know, and a good match against the other half.
GWEN
Please, I don’t want to be.
PAUL
What?
GWEN
I am not a part of, nor do I want or intend to be a part of your world.
PAUL
Oh, I see. You just want to stay nice and comfortable and safe, amidst all that my world provides for you. All that my 70 and 80 hours a week provides for you. It would be just too crass to recognize what makes all this possible, wouldn’t it?
GWEN
If you begrudge me anything that I have accomplished, in the maintenance of our home, although be it, with the aid of your money, then I have certainly overstated my position here. For both of our sakes, please define my proper role in your little kingdom.
PAUL
I didn’t say that you have done anything wrong. I was pointing out the fact that, oh the hell with it! I don’t want to argue anymore.
GWEN
Good. Nor do I. Why don’t you shower and relax for a little while. Please don’t disappear into your office. We have to meet Morgan at Madame J’emel’s.
PAUL
How did you know that we had decided to celebrate at Madame J’emel’s?
GWEN
Where else would be appropriate? Certainly not at the Club.
PAUL
Why not at the Dirtwater Fox, or the Black Onyx Club?
GWEN
I guess I know you better than you think I do. It seemed like a natural choice for you to make.
PAUL
I didn’t choose it. I wanted to go to the Club. It was Morgan’s idea.
GWEN
It use to be a whorehouse. I seems appropriate.
PAUL
To you, or to Morgan?
GWEN
It would seem, to the both of us.
PAUL
Yes, to the both of you, it seems.
GWEN
What are you implying?
PAUL
Come on, you obviously talked to Morgan. I hope he isn’t turning this into some kind of overdone large affair. I specifically told him I wanted a quiet celebration with a few close friends.
GWEN
I assure you he is keeping the affair quiet. Only a couple close friends know about it.
PAUL
The way you acted. I guess it wasn’t a surprise.
GWEN
It was, when Morgan told me.
PAUL
. . . . I’m trying to imagine your initial reaction.
GWEN
I was upset because Morgan didn’t get it instead of you, and I told him so.
PAUL
Look, I promise you, it won’t be as bad as you think.
GWEN
You have devoted all of your energy, your time, your life, to the corporation. I have asked little of you. After all of the sacrifices that you have made for the company, I want you to make one great sacrifice for me. I want you to prove to me that I didn’t stay with you all these years for nothing. I now want you to prove to me that you do love me.
PAUL
Name it.
GWEN
Give up the promotion.
PAUL
Gwen, have you lost your mind?
GWEN
Let Morgan have it. Tell the board that you want him to be the new CEO.
PAUL
Morgan? What in God’s name can you be thinking.
GWEN
I’m thinking that for once in your life, you will put me first. I am hoping that you will do whatever it takes to make me happy. I know how unbearable I have made life for you at home, when you do come home anyway. Do this and I will never act out against you again. Do this and I will live to make you happy.
PAUL
If I don’t?
GWEN
I will no longer settle for a part time affair. I want a full time husband and lover. I won’t live like this any longer. I will pack my things and leave you.
PAUL
You are asking me to give up my life.
GWEN
You fought and you have won. Isn’t that what is important? You have in the process, become quite wealthy. You have accomplished your goal. Is the actual prize that important?
PAUL
And give the prize, as you put it, to Morgan.
GWEN
Yes. Who deserves it more?
PAUL
I do.
GWEN
I guess there is nothing more I can say. Enjoy your victory. I’m going out, and I won’t be back. I’ll have someone collect my things.
PAUL
For Christ’s sake, Gwen, from the time I walked in the door you have been slamming me in the face every time I opened my mouth. Now you give me an ultimatum to give up my life’s work or else. You can’t expect me to make a decision like this on a moments notice.
GWEN
Okay, Paul. You have twenty-four hours. Longer than that and you couldn’t bow out gracefully, and give Morgan your vote of confidence.
PAUL
For the first time in my life, I don’t know what to say.
GWEN
Don’t say anything. Shower and put on something loose and comfortable. I will give you a massage. I will give you a preview of what life can be like, outside the corporation. At the boutique I saw this very sensual outfit. When I saw it I thought, that is the outfit I would love to take off for the man I love. I will go and get it while you prepare.
PAUL
Give it all up.
(GWEN puts her finger to his lips
stopping him.)
GWEN
Save your energy. It is going to be a long evening, an evening exhausted in pleasure. We can talk in the morning.
PAUL
Morgan____
GWEN
I’ve taken care of that.
PAUL
What would I do? What would we do?
GWEN
How about a years cruse around the world, to start? Enjoying the sights, enjoying each other. I’m sure we will come up with something motivational and creative in a years time.
PAUL
I admit the idea feels good, but it is so crazy.
GWEN
Like Morgan always says, “When the fat lady sings, you know it’s time to take your bows.” You’ve earned this. We’ve earned it. Bow out and enjoy the kudos with me.
PAUL
Maybe you’re right.
GWEN
I know I am. It is right for us.
PAUL
You know, just yesterday everyone was pretty sure I had the position. I looked at Morgan and said, kidding of course, do I hear someone singing? He grinned and said, I’ve written another verse. I couldn’t figure out . . . he couldn’t have . . . just how much talking have you two indulged in?
GWEN
What do you mean?
PAUL
Damn him, my best friend. He used you. He let you cry on his shoulder and he encouraged you to do this, didn’t he? It was his idea!
GWEN
What if your right? What difference does it make? Our happiness is what is important, not who the genius is that made it all possible.
PAUL
(Storms into his study.)
That son-of-a-bitch!
GWEN
(GWEN picks up her phone
and hits re-dial.)
Morgan, he saw through me, he is sure that it was your idea. He flew into a rage and stormed into his office. He won’t give it up. I’m leaving him darling. I’ll be right over. What do you mean no? What do you mean your not throwing in the towel? You said you would quit in an instant if I would leave him. Morgan, you promised. You said we were going to create our own world. Guinevere’s, Lancelot! You bastard! What was that? Someone else is on this line. Paul?
(Paul comes out of the study. They
stand there looking at each other
across the room.)
THE END
3.) HARD LOVE
____________
A Play in One Act
by
Robert G. DeMers
Cast of Characters
Linda Harrington: Twenty-one year old sister of Brent.
Brent Harrington: Linda’s, brother, 27.
Cathy Caulder: Brent’s fiancée, 24.
Scene
Brent’s apartment house.
Time
Present.
ACT I
Scene 1
SETTING: BRENT’S living room. It is expensively decorated.
AT RISE: Probably mid-day. BRENT and LINDA are sitting.
BRENT
Say something. . . . Look Linda, I just came from, from a long hard trip. I’ve had a lot of time to think about it. . . . I need your support.
LINDA
I feel sick. I feel as though I were just punched in the stomach . . . maybe in the heart would be more accurate.
BRENT
Linda! It’s an act of love, selfless love.
LINDA
Brent, it’s an act of desperation! You’re trying to pay for an unearned guilt!
` BRENT
You have no justification for that! You don’t realize how much I love her!
LINDA
Love Brent, especially romantic love, isn’t selfless. It is selfish, very selfish. Try looking a woman in the eye and saying, “Any personal gain that I could benefit from this relation- ship is irrelevant. Your happiness, your pleasure, your passion is all that matters.” Then take note of what you feel. I guarantee it wont be love.
BRENT
I love Cathy very deeply, and she feels the same way about me.
LINDA
Any woman that would accept you under those terms doesn’t want your love. She wants to devour you. What she wants is your soul.
BRENT
You’re my friend, my confidant. You’re my sister. You know Cathy and I are getting married Saturday. I thought you would be happy for me.
LINDA
I’m going to have to break confidence, tell the family, get a court order, something! You are not in your right mind! Tell me it was a joke. Oh God, let it be a joke!
BRENT
I know you think you are acting in my best interest, but you are only making matters worse.
LINDA
I love you Brent. You are my only brother and I don’t want to see you destroy yourself.
BRENT
Linda, this is too complex a situation for you to understand. There is more involved in this, than you could possibly know.
LINDA
Now you are telling me I’m stupid! Well, Brent, I’m not the tall, handsome, physically fit, well-educated successful business man that is bent on destroying his manhood so that he can devote his life to a manipulative cripple as though she were a holy shrine!
BRENT
(Slaps her.)
Don’t you ever talk about Cathy in that manner! You can say what you like about me, but not her! you will never again speak that way about Cathy.
LINDA
Think about it. You didn’t tell me this because you wanted me to share your joy. We speak of such things to others, to relieve our pain, our fears. You needed to confide with someone that would act to stop you.
BRENT
I thought you would understand. I thought you would help me through it.
LINDA
It was her idea wasn’t it? You certainly didn’t come up with such a horrendous idea on your own.
(CATHY enters in a wheelchair.)
CATHY
Hi sweetheart! How did it go? Did he tell you about his trip?
LINDA
No, not exactly.
CATHY
Am I interrupting Something? I don’t want to be intrusive. Sometimes I feel as though I’m in the way.
BRENT
Of course not! I hope no one in my family has given you that impression.
CATHY
No. Not intentionally of course. I mean I understand why Linda feels a little jealous at times. You hover over me and pay so much attention to me.
LINDA
Believe me Cathy, what I feel is not jealousy.
CATHY
It’s okay, Linda. If I had a big brother that has always protected me and loved me, I would be jealous of another woman too.
BRENT
You are such a loving and understanding person, darling, How could I help but to love you.
LINDA
Damn it! You are blinded by her. You don’t see how she uses you and manipulates you.
BRENT
That’s enough! I don’t know what has gotten into you. You are going to have to learn to accept Cathy and our marriage, or you won’t be welcome here.
CATHY
Don’t be so hard on her darling.
LINDA
Yes, Brent, why should you get what you want now? You haven’t gotten anything you wanted since your engagement party.
BRENT
Get out!
LINDA
Go to hell!
CATHY
Linda, please! If you knew the stress he was under.
LINDA
Oh I know! I’ve watched him. It is as if he’s unraveling his soul. I’ve also watched you. I have seen the pleasure you get from his pain.
CATHY
What a cruel thing to say. I would almost guest that your passion for him goes beyond sisterly love, but that would be too horrible to believe. I won’t even allow myself to think it, let alone believe it. I’m sorry Brent.
BRENT
Linda, please stop this embarrassing exhibition You are only hurting yourself.
LINDA
I’m a big girl, Brent. I can deal with my pain and suffering. Unlike Cathy, I can standup to what problems life throws at me.
BRENT
That’s it! Get out! I never want to see you again.
CATHY
Linda, how can you be so cruel! I’ve tried, I’ve tried, Brent! Please get her out of my sight!
LINDA
You’ll have to call the police. You obviously aren’t man enough to throw me out.
BRENT
What has happened to you? Why are you acting like this?
LINDA
I don’t know what else to do. I have to force you to hear me out.
CATHY
You have one minute, then I’m calling the police!
LINDA
I have as long as it takes, even if it means being dragged out of here, kicking and screaming.
BRENT
I don’t know how much more of this I can take. I tried to confide in you. I ____
LINDA
That is what makes this so urgent, that is why I have to speak now.
CATHY
Darling, what is going on? Confide in her about what?
LINDA
Please. Let me say what must be said.
BRENT
Okay. Get it off your chest. Then have the courage and decency to leave.
LINDA
Remember how I would come to you with some concept or other? Remember how you would patiently listen to what I had to say? You would allow me the dignity of my thought, then you would give me your assessment. I demand no less from you now.
BRENT
You are no longer a child.
LINDA
Then my right to your respect has greater weight. I assure you, what I have to say, is said out of love, not out of malice.
BRENT
I warn you, only rational statements will receive a rational response.
CATHY
You have used up your minute. Brent, I want her out of here.
LINDA
Give it up. You have already lost that one.
CATHY
I mean it Brent!
BRENT
Let her have her say. Then she is going. Right Linda?
LINDA
If at that time you want me out of here or out of your life, I will do so. It won’t matter after that.
CATHY
Yes, tell us how this depraved cripple is harming your big brother.
BRENT
Please, Cathy, lets not fuel the flames.
LINDA
Cathy, I can’t possibly imagine what it is like to be victim of a hit and run driver. It must be horrible to feel so helpless. I know that both of you lost your best friend when Jack died in that tragedy.
CATHY
If you had the slightest inkling of what I went through you wouldn’t treat me the way you do. To see your life is about to end and you have no control over it. Then it gets worse, because you don’t die. He didn’t even have the decency to complete the job. He left me crippled, my life destroyed in an instant
LINDA
Brent, it was your engagement party, and seeing your fiancée near death, and ____
BRENT
Do we have to relive it?
LINDA
That is what I want to stop. That is what you have been doing since it happened.
CATHY
We deal with it on our own terms. There is nothing you can do that will change things. We are each others support, and we are trying to get on with our lives.
LINDA
Brent, earlier you said that this was more complex than I realized. I think your exact words were, “more involved than you know.” Well, I know more than you think.
CATHY
You have always been against me, haven’t you?
LINDA
No. Of course not.
CATHY
You don’t want your big brother to be stuck with a cripple for the rest of his life, do you.
LINDA
No! It isn’t that. If he were only marrying you out of love it wouldn’t matter.
BRENT
I’ve tried to be patient with you.
LINDA
Please. You promised to hear me out.
CATHY
Your illicit passion is creating these unrealistic scenarios to justify your rejection of our relationship.
LINDA
It doesn’t matter what you think of me.
(To BRENT.)
There is something I wanted to tell you, but you were so deeply hurt. I didn’t see were it would serve any good. Now perhaps it will save you.
BRENT
You aren’t Florence Nightingale, and I don’t need to be saved.
LINDA
That night, the night of the party, I saw something that you should know. I was going to go for a walk, and when I stepped out onto the sidewalk, I saw Cathy, close to the bushes on the corner. She and Jack were in a passionate embrace ____
CATHY
How can you be so cruel! Brent, stop her!
LINDA
I quickly turned around and ran back to the house. I didn’t know what I should do. Then I decided it would be best to confront Cathy and force her to tell you about it.
CATHY
How can you be so cruel? Brent! You can’t allow this to continue!
LINDA
Then there was the accident. It was pointless to bring up the affair. You had just been called away to your office. You must have left just before . . . You must have ____
CATHY
She’s starting to babble, she’s losing it! Stop her now Brent. Stop her before she says something that can’t be taken back.
LINDA
I never thought . . . you couldn’t have! Oh Brent! Brent, don’t you see? A man imprisoned by cement walls and steel bars has greater freedom than one who imprisons himself within his own mind. What your doing is cruel and unusual punishment!
CATHY
It isn’t true. I would have known. You're ruining everything! Not now! Not after all of my . . . .
LINDA
Yes, That’s it! Just a minute ago you said, “to see your life was about to end”, but you’ve always said you never saw the car or the driver. Brent, you have to say something.
BRENT
I was half lit. They were all over each other, fondling. Before I knew what I was doing I had the gas pedal to the floor and I was on the sidewalk. . . She turned and looked at me, her face contorted in terror. I tried to swerve, but it was too late. . . She didn’t remember, she had blanked it out, I had a chance to make it up to her, to ____
CATHY
To make it up to me! A chance to make it up to me! You murdered the man I loved! You put me in a wheel chair for the rest of my life! You Bastard! Do you think you could ever make it up to me?
LINDA
You knew all this time?
CATHY
No. Not at first. I had blanked it out. But, then, then it started coming back to me.
(To BRENT.)
I loathe you! When you touch me you make my skin crawl!
LINDA
Why didn’t you have him arrested?
CATHY
Why, so he could be paroled in ten or twelve years? I won’t let him off that easy.
BRENT
I will pay what ever price you demand, you know that.
CATHY
You're damned right you will.
LINDA
What is it you want? Why were you going to marry him?
CATHY
I still am. Yes, darling, you are going to become my devoted husband. What the hell, what good would you be to another woman now?
` LINDA
What are you talking about?
CATHY
The little business trip that he just returned from. You see it wasn’t your usual kind of business. When he killed Jack, the man I loved, and in effect, made me useless from the waist down, well his punishment had to fit the crime.
BRENT
If you loved Jack, why did you agree to marry me?
CATHY
I thought I loved you at first, but then I was drawn to Jack. Oh, you have brains and beauty, and you’ve built a wonderfully successful company, but Jack, besides having intelligence and a terrific body, he new how to treat a woman. He was a terrific lover, and you, well, you will never know what that is like. Will you?
LINDA
That doesn’t answer the damned question! Why did you want to marry Brent?
CATHY
Because Jack needed the full partnership that Brent promised him and I needed the ten percent interest in the company as stipulated in the prenuptial agreement. That way, we would have controlling interest in the company, after the divorce. Now I’ll have it all.
LINDA
What makes you think he will go through with it?
CATHY
It is either that or jail. Remember, he is still guilty of the same sin. Besides, I’m all he has left.
BRENT
After that confession, do you still believe I’ll do as you bid?
CATHY
Yes. You are a man of honor. Your strong principles wouldn’t let you do anything less. You said, whatever I demanded. Besides, who would you be good for now?
LINDA
That is the second time that you made that reference. Despite what he has done, why wouldn’t a man of his character be good for someone else?
CATHY
As I had said, he, in effect, made me useless from the waist down. I convinced him that a young virile man like himself wouldn’t be able to live without other women. The only way he could be true to me and prove his love would be by becoming my equal. He agreed to being castrated. That was why he was out of town, that is the business he had to take care of!
LINDA
Do you have any idea how sick you are? Your hatred has driven you to madness.
CATHY
I’ll tell you just how mad I am. The big difference between us is that, that part of me still works. Part of your repayment, Brent, part of your punishment, my eunuch, slave, will to provide me with lovers.
LINDA
Brent, tell me you didn’t go through with it! That’s why you talked to me, you couldn’t go through with it! Tell me I’m right!
BRENT
I agreed to fulfill the demands of the woman who was my equal, the woman that loved me as I loved her. That woman never existed. Linda, call the police. It won’t be easy, without a wife to make conjugal visits, but like you said Linda, I’ll be free.
THE END
4.) MI HERMANO
_____________
by
Robert G. DeMers
Cast of Characters
Señora Carmela Ramales Zabaleta: Narrator, Paco’s sister, Margarita’s Aunt, 38-40
Paco Ramales: Father to Margarita, 40-42
Margarita: Paco’s daughter, 18
Peter Vanderwaller: Margarita’s boyfriend, 21-22
Scene
In front of the Ramales’ house. Anywhere USA.
Time
Late Spring, 1950.
Set Requirements
House front, picket fence with gate, two bushes, gardening attire for Zabaleta.
ACT I
Scene 1
SETTING: The front yard of the Ramale’s home. The front of the house is up stage of the yard. A picket fence with a gate is down stage of the yard. There are bushes at each end of the fence.
AT RISE: SEÑORA ZABALETA is dressed in her gardening clothes. She has a basket, and shears and is cutting flowers along the outside of the fence. Peter and Margarita are talking to each other across the fence.
Their relationship is obvious.
SEÑORA ZABALETA
(addresses the Audience.)
I am Señora Carmela Ramales de Zabaleta. That is Pedro, talking to, mi sobrina, my niece, Margarita Rosa. No, she isn’t my hija, my daughter, I am her Tia, her Aunt. She looks so much like her mother.
(She makes the sign of the cross.)
I know, you would call him Peter and you would call her Margaret Rose. Actually, if you wanted to be accurate, Margarita, in English means, Daisy. So you see you would have to call her, Daisy Rose. I don’t think you would want to do that. I don’t think she would want you to either. There are many differences in our two cultures. These two don’t seem to know that.
PETER
You have never been ice skating in the summer?
MARGARITA
No, not even in the winter. When I was a child, in San Luis Potosí, in Southern Mexico, I would see a movie where people were skiing, I thought it was like sand. That is the closest thing that I had, to relate to it. Before coming here, 65 was a cold day.
PETER
We have an indoor skating rink at the Municipal Center.
PACO
(PACO comes charging out of the
house.)
What did I tell you about sniffing around here!
(To MARGARITA.)
Get in to the house. Can’t I even trust you in our own yard?
(MARGARITA takes her father’s hand
and bending at the waist, kisses the
back of it, then runs into the house.)
PETER
But Mr. Ramales, we were only talking.
(PACO returns to the house
not acknowledging PETER.)
I love your daughter, Mr. Ramales. Keeping her in the house won’t change anything.
SEÑORA ZABALETA
That is mi hermano, my brother, Paco. He wants Margarita to marry a Latino. You see how she shows her respect for her father, kissing the back of his hand. One of the many customs that is different from here. For instance, in Mexico, when a young man wants to date a young lady, he goes to the home of the young lady and asks her parents permission. We have been in this country for four years now. Paco is still suffering from culture shock.
(To Peter.)
So Peter, what time do you plan on taking Margarita to the skating rink?
PETER
Two o’clock this afternoon, I had hoped, anyway, Tia Carmela.
SEÑORA ZABALETA
I will tell her. You better go now, before her father comes out here with the shotgun.
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